SELECTED PORTFOLIO

Title: Precession
Date Created: 2016
Medium:InstallationWall Coverings

SPRING/BREAK Art Show COPYPASTE
Curated by Elizabeth Keithline, Precession is 3,000 square feet of “digital wallpaper” composed of algorithmically manipulated footage of New York City
Visitors of SPRING/BREAK Art Show March 1-7, 2016, entered the fair through Precession, a site-specific lobby installation for which digital mixed media artist Anne Spalter shot and transformed high resolution footage of iconic New York imagery—specifically, the Manhattan skyline and Coney Island—into psychedelic, algorithmic kaleidoscopes digitally developed using proprietarily coded Adobe plugins.
Covering the native curves, corners, and arches of the Beaux-Arts 34th Street Post Office Building’s stairwell were be nearly 200 custom wallpaper strips punctuated by 12 interspersed screens playing video works of the same algorithmic production technique. The cross-media content selection, which also includes 32 digital paintings printed on canvas, is arranged by the original footage’s time of day—adding an ombre transitional effect to the notions of speed, motion, and adrenaline evoked by the fact that the artist shot much of her first-person footage leaning out of a helicopter over the East River or from an in-motion amusement park ride at Coney Island.

Title: Turning Festival
Date Created: 2018/2019
Medium: InstallationVideo
Duration: 00:02:19

The winning works of the Sino-Niio prize are playing every evening 19 Dec 2018 to 19 Jan 2019.The video plays on over 47,000 sq feet of LED video cladding on the Tsim Sha Tsui Centre and Empire Centre buildings. Hong Kong.

Title: Welcome/Warning
Date Created: 2018
Dimensions: 158 x 72 x 72 in.
Medium: InstallationSculpture
Duration: 00:06:58

Comprising five large monitors mounted in varied orientations along the front and back side of a vertical aluminum truss, the piece takes the representational form of a lighthouse.
High resolution source footage that I shot of bodies of water from geopolitically diverse points around the world harmoniously meld with actual shore rocks and discarded bricks into a multifaceted digital megalith. An intermittent focal point on the top monitor serves as a simultaneous beacon of hope and an all-seeing, Foucauldian eye.

Welcome/Warning was part of Threshold, an exhibition curated by Kurt McVey as part of On Canal.
On Canal is an initiative to turn Canal Street in Manhattan into an arts district comprised of 22 spaces by Wallplay and curated by Vibes.

Title: New York Dreaming (Video Installation at Fulton Street Station, NY)
Date Created: 2016
Medium: InstallationVideo
Duration: 00:02:00

Video installation consisting of 9 corresponding videos on 52 screens (varying in size from 31ft x 18ft to 40ft x 2.5ft) throughout the new Fulton Street Transportation Hub.

Created by Brooklyn-based digital mixed-media artist Anne Spalter, New York Dreaming is a meditation on the city and the constant self-realization of its physical and psychic existence. Filmed and transformed high-resolution footage of iconic New York skyline imagery morphs into psychedelic, algorithmic kaleidoscopes digitally developed using custom software.  New York Dreaming brings a sense of meditative wonder deriving from the sky-high perspective of the work’s source footage to commuters’ daily journeys.

For Spalter, New York is a city like no other, a combination of man-made and natural formations, perpetually evolving and reinventing itself–turning from one year to the next, constantly unfolding. Its citizens, similarly, are dreamers, driven to bring their visions to life. With a longstanding incorporation of transportation and the Modern Landscape in Spalter’s artistic process, Fulton Center is an apt backdrop for New York Dreaming.

Opened in time for the holiday season, Spalter’s 52-channel mesmerizing video installation can be seen for two minutes at the top of each hour at the Fulton Center complex and in the Dey Street pedestrian tunnel that connects to the R line and the World Trade Center PATH station. The work was on view through Fall 2017.

The work is presented by MTA Arts & Design with technical support from Westfield Properties and ANC Sports.

Title: Miami Marbles (Full Installation)
Date Created: 2016
Medium: Installation

The first PULSE PROJECTS Special Commission, Miami Marbles is a mixed augmented reality (AR) installation combining AR components, via a custom app, with nine physical spheres—ranging from seven to 16 feet in diameter— printed with digitally manipulated footage of Miami Beach

Download MIAMI MARBLES APP in the app store

Full Press Coverage on the Installation

Title: Driving All Night (Series)
Date Created: 2019
Edition Info: Unique
Medium: Oil paint and ultra chrome ink on on Hahnemuhle Photo Rag paper. AI inspired imagery.
21” by 21”

FULL DESCRIPTION OF THE LARGER PROJECT HERE

Title: Musical Spaceship
Date Created: 2019
Edition Info: Unique
Medium: Oil paint and ultra chrome ink on on Hahnemuhle Photo Rag paper. AI inspired imagery.
10” by 10”

FULL DESCRIPTION OF THE LARGER PROJECT HERE

Title: Boat as Landscape
Date Created: 2019
Edition Info: Unique
Medium: Oil paint and ultra chrome ink on on Hahnemuhle Photo Rag paper. AI inspired imagery.
10” by 10”

FULL DESCRIPTION OF THE LARGER PROJECT HERE

Title: Lighthouse of the Mind
Date Created: 2019
Edition Info: Unique
Medium: Oil paint and ultra chrome ink on on Hahnemuhle Photo Rag paper. AI inspired imagery.
10” by 10”

FULL DESCRIPTION OF THE LARGER PROJECT HERE

Title: Color Engine
Date Created: 2019
Edition Info: Unique
Medium: Oil paint and ultra chrome ink on on Hahnemuhle Photo Rag paper. AI inspired imagery.
31.5” by 31.5”

FULL DESCRIPTION OF THE LARGER PROJECT HERE